Poetry, Walt Whitman, Abraham Lincoln, & the Civil War
As a student, I hated poetry. In high school, the words “poetry unit” filled me with dread and an almost uncontrollable desire to feign an extended illness preventing school attendance. As an adult, the aversion stayed with me until I heard Walt Whitman’s haunting verses about the Civil War read aloud – grieved, lamenting the death that seemed to be everywhere. Listening to poetry and experiencing the emotions that the poet meant to evoke brought the words to life. Meter and rhyme, refrain and couplet, sonnet and stanza — they may be important to learn, but only after poetry is experienced. Experiencing poetry is crucial to appreciating it. Once it has been experienced, the process of creation can be studied with a focus on mechanics and editing.
April is both National Poetry Month and the anniversary of the assassination of Abraham Lincoln, making it the perfect time to highlight Walt Whitman and his famous poem, “O Captain! My Captain!“. An emotional response to the murder of Lincoln, the poem was published in the Saturday Press in 1865 (those of a certain age will remember the famous scene from Dead Poets Society that led to the salutation being used as a tribute to Robin Williams).
The Library of Congress calls Whitman “restlessly creative” due to his constant process of revision; he was still revising the verses in “O Captain! My Captain!” decades later. When sent a proof from his publisher for a new book of his poems in 1888, Whitman returned it with handwritten corrections. The publishers of the “Riverside Literature Series” apparently had included an older version of the poem, which Whitman called “a bad perversion“.
Although many students are under the impression that successful writers produce immaculate first drafts, Whitman, like most writers, spent hours revising his work. Amy Hollingsworth, a successful author friend of mine, was recently asked about revisions and replied,
I would say that I’m not so much a writer as a re-writer. I edit everything, 1000 times. I can always think of a way to say it better. Occasionally a sentence or phrase will come out perfectly the first time, but it’s rare. And I wouldn’t trust it if it happened very often, because, as I said, I can always think of a better way to say it.”
Finding the right wording is rarely easy. While working on “Hymn of Dead Soldiers” (later called “Ashes of Heroes”), Whitman kept a list of synonyms related to grief. Such tools are necessary for good writing, in which conciseness and accuracy are paramount. Writers are told to “kill their darlings” during editing, and Whitman took it to heart. Most of his life was spent continually revising Leaves of Grass.
Whenever possible, have the students listen to poetry rather than read it. Below is a beautiful version of “O Captain! My Captain!” read by Tom O’Bedlam that you can start with.
The following links include a variety of resources, both primary and secondary, in various media. I suggest using the resources for background rather than as lessons, and use the poetry itself to illuminate the Civil War experience.
- Walt Whitman, Patriot Poet (PBS, accompanying handout here)
- “Daybreak Gray and Dim” – How the Civil War Changed Walt Whitman’s Poetry (National Endowment for the Humanities)
- Death and the Civil War (American Experience; includes poignant readings of Whitman’s poetry with the backdrop of Civil War images)
- The Assassination of Abraham Lincoln (resources and video from American Experience)
- Virtual Tour of Ford’s Theater
- Leaves of Grass
- Sparknotes for Whitman’s Poetry
- Revising Himself – Wound Dresser (Library of Congress holdings)
- Murdering Your Darlings: Walt Whitman’s Revisions
- Leaves of Grass editions
- Audio recording of Whitman reading 4 verses of “America” (analysis of the authenticity of the recording is here)
- Death of the “Good Gray Poet” (Article about Whitman’s death in the evening bulletin of Maysville, Kentucky)
For more poetry resources, visit our poetry page or the Poetry Foundation website. For more about Walt Whitman, visit the Smithsonian Institution’s National Portrait Gallery feature.